François Truffaut once wrote, “The film of tomorrow appears to me as even more personal than an individual and autobiographical novel, like a confession, or a diary. The young filmmakers will express themselves in the first person and will relate what has happened to them. It may be the story of their first love or their most recent; of their political awakening; the story of a trip, a sickness, their military service, their marriage, their last vacation…and it will be enjoyable because it will be true, and new […] The film of tomorrow will be an act of love.” No art form captures the fragility and authenticity of life quite like photography and filmmaking and Malia James’ work can be seen as an unpretentious celebration of the fullness of love in its most universal form. Read the rest of this entry »