Posts Tagged ‘Review’
LDWT goes PRIMAVERA CLUB 2012

A year later, we return to the scene of the crime. Primavera Club, the winter and smaller version of the Primavera Sound festival, is now in its sixth edition (and running for the first time in Madrid, Barcelona and Porto) and until now has never failed to bring the established acts with the up and coming ones which in a few months’ time will see on bigger stages. We arrive to Madrid to not so good omens, the festival has been plagued by organizational problems (how we would have loved to see Cat Power) and at the last minute the local authorities have decided to downsize one of the venues and increase security so that during the space of the evening we will be asked many times to produce passes and passports. Read the rest of this entry »
A MONTH IN RECORDS: January 2012

And they say january is a slow month for record releases, lost in the of haze of the remains of the christmas rush and the endless repackaging/rereleasing nostalgia trips. Not so this year, for sure, as our unwritten rule of cutting down the list to nine or ten titles left more stuff out that we could have predicted. And we are not so sure that we’ll manage to stick to that rule anyway. Read the rest of this entry »
2011 ROUNDUP: Music

End of the year lists or roundups, it’s been said, are more fun for those who compile them, unless masochistic instincts actually make you enjoy all the criticism that those lists inevitably attract. Still, it’s a guilty pleasure, who doesn’t have one? It has also to be said that the more easily available music becomes (trust us, there are dozens of new records released every week), the harder making lists becomes, as there’ll always be that record which escaped you. Read the rest of this entry »
A month in records: November/December 2011

The last two months of the year are usually slow times for record releases, and yet this year we were rewarded with some of the best albums we heard all year. David Lynch surprised almost everyone (except those who remember that he cowrites most of the soundtracks to his movies) by releasing his debut, “Crazy Clown Time” (Sunday Best). Not the grand folly or the enigmatic concept Lynch’s name is usually to, but still it is a fine achievement of moody blues and atmospheric electronica, and in songs like Pinky’s Dream (with the help of Karen O) and Stone’s Gone Up a terrific one too. Calling it cinematic is stating the obvious, so we’ll just say we’d love to see the movie it would make a great soundtrack to. Read the rest of this entry »
























The Future Is Bright: THE FRESH & ONLYS 




Better Than Something: Interview with Ian Markiewicz and Alex Hammond 

Filming The Music: AG ROJAS 
Coyotes in My Backyard: TRAVIS MILLARD
The Alchemy of Love and Fire: NEIL KRUG 

Drenched in The Rain of Dreams: Dimitri Drjuchin
I CAN SEE FOR MILES: The Art of Jacob Escobedo 