• POSTCARDS FROM CANNES 2012 – Le Festival commence!
  • Central Park Life: HOSPITALITY
  • Drenched in The Rain of Dreams: Dimitri Drjuchin
  • Young Adults: TOM WILLIAMS & THE BOAT
  • Motor kids dream: Interview w/A Classic Education
  • Wild Thing: MAC DEMARCO
  • The Love You Feel: PERFUME GENIUS
  • Exhibit Openings: Interview w/Elena Rapa + Dast
  • Cross Paths: HANNE HUKKELBERG and FOREST
  • Intercontinental Space Pop: THIEVES LIKE US

POSTCARDS FROM CANNES 2012 – Le Festival commence!


 
And it’s 65. 65 editions. But like all women of class, the Festival de Cannes does not show its age.
Indeed, it seems like a tough and handsome twenty years old girl.
This edition, signed by the still close couple Jacob-Fremaux, comes with a truly remarkable program. The first impression, reading the names of present authors, is that Cannes has ensured the best. Ken Loach, David Cronenberg, Wes Anderson, Michael Haneke, via Alain Resnais, Abbas Kiarostami and Walter Salles. And we’re just browsing through the list of the films in Competition. Read the rest of this entry »

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Central Park Life: HOSPITALITY

 

The New York trio Hospitality are somehow a brilliant anomaly. On first listen of their eponymous debut album (released in US on Merge, and in Europe on Fire records), we found ourselves singing, with sheer surprise to one of its better pop songs, Betty Wang. Melody and words. And then we remembered as at the end of 2008 that had been the object of blog frenzy, with its perfect nod to Camera Obscura and humorous lyrics about a former colleague. Rather than capitalizing on its hype, singer/songwriter/guitarist Amber Papini, drummer Nathan Michel and bass-man Brian Betancourt simply decided to vanish. Read the rest of this entry »

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Drenched in The Rain of Dreams: Dimitri Drjuchin

 

Creation is a spiritual process, healing and transformation in a multitude of ways. This is certainly true for New York-based artist and musician Dimitri Drjuchin, who bravely embraces Christian iconography to create new levels of perceived reality and visions of self-representation through a clever combination of cultural metaphors and visual symbology. Drjuchin’s comical and surreal imagery extends beyond the general idea of downfall and craftily turns it into a cheerful and optimistic reflection on the human condition. By imbuing the real with highly colorful geometric compositions, Drjuchin’s paintings, murals and art posters unveil a refreshingly authentic foray into cosmic communion and happiness. It comes as no surprise that Dimitri painting adorns the cover of “Fear Fun“, Josh Tillman’s first release since his departure from Fleet Foxes under the new moniker Father John Misty. The very title aptly suits Dimitri’s artistic and personal exploration. He kindly took us through this sparkly journey, revealing more from the influences on his creative process to his own music projects . Read the rest of this entry »

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Young Adults: TOM WILLIAMS & THE BOAT

 

Royal Turnbridge Wells, Kent, UK. A guy called Tom forms a band with fellow musicians who play the same pubs and slowly starts recording and playing for ever increasing audiences all around the country. Not an exciting or unheard story, were it not for the fact that the music they produce possesses a rare beauty, a subtle brutality, a universal embrace: think of Arcade Fire but also of Leonard Cohen, and occasionally even of a countrified Pavement. It’s Tom Williams & The Boat’s second album, “Teenage Blood” which shows what these young adults are capable of, with songs mostly about growing up and the pains of coping, unrequited love and even murder ballads. Read the rest of this entry »

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Motor kids dream: Interview w/A Classic Education

 

To say that sometimes the journey is more important than the destination is, in A Classic Education‘s case, somehow an understatement. Since the band’s inception in 2007, Jonathan Clancy (vocals, guitars), Luca Mazzieri (guitars), Paul Pieretto (bass), Giulia Mazza (organ, keyboards) and Federico Oppi (drums) have used their hometown Bologna like a place to reconvene and plot new adventures. It must be the reason why their songs, while clearly sharing a passion for american psychedelic pop, sounds like coming from and belonging to nowhere in particular. Read the rest of this entry »

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Wild Thing: MAC DEMARCO

 

You have just one second to name your favourite rock star. Those who will think of Bono notwithstanding (sorry, you are on the wrong website), you may go for Elvis, Bowie, Lou Reed, Iggy Pop. Canadian Mac Demarco has a lot in common with all of them. After releasing a few tapes as Makeout Videotape, he has decided to step to the front under his own name singing of a world which is part excess, part debauchery, part glam, wholly exuberant and youthful. “Rock And Roll Night Club”, his debut e.p. for Captured Tracks, sounds exactly like its title promises, wild and weird, reeking of sex and booze, willing to sound familiar yet never nostalgic. Read the rest of this entry »

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The Love You Feel: PERFUME GENIUS

 

There are trends. There are hypes. There are avant-guarde experiments. And then there’re records which surpass all of them, going straight to the heart, beyond fashion, beyond time. A couple of years ago Mike Hadreas, aka Perfume Genius, sent us a breathtaking letter of heartbreak and despair in the shape of “Learning”, a collection of home-recorded songs, just vocals and piano, which sounded even more fragile as the album was actually mastered from second-generation mp3s. An exercise in self-therapy which struck a chord with thousands of listeners. Still in his early 20s, Mike’s exploration of the dark parts – as he would call them – reaches now an arresting high with his second album, “Put Your Back N 2 It”. Richer in its arrangements and recording, his voice has found a confident and, dare we say it, mature balance. The minor chords give way surprisingly to some major ones, and you can actually feel like there could be hope at the end of this journey. Even if it still means having to go through more twists and turns (you may be aware that the album ad was rejected by Google/YouTube as being “not family safe” and “promoting mature sexual themes”). Disarmigly honest and strongly opinionated, as you would probably suspect listening to his songs, Mike kindly spent some time talking to us in the middle of a long american tour. Read the rest of this entry »

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Exhibit Openings: Interview w/Elena Rapa + Dast

 

Dast and Elena Rapa opened their latest show, “Mutamenti”, at Fabrica Fluxus Art Gallery in Bari, Italy, on Friday April 6th. The exhibition, curated by Nico Murri and Roberta Fiorito, shows new paintings and a wide variety of drawings digging deeper into absolute and ancestral themes: the relationship between human beings and the natural/supernatural environment. The art pieces are displayed in four themed sections: “Anima e Corpo” (Soul and Body) which explores the classical theme of vices and virtues, of Eros and Thanatos; “Mutazioni” (Mutations), the passing of time, the cycle of the seasons, the idea of catastrophe; “L’Ira funesta” (The Deadly fury), the throbbing heart of destruction; and lastly, “Nuovi Mondi” (New Worlds), describing the unexpected, the imagined and the possible (re)birth. Check out more photos and watch our interview with the artists after the jump. Read the rest of this entry »

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Cross Paths: HANNE HUKKELBERG and FOREST

 

For the return of our Cross Paths series, we could not be happier. Since debuting seven years ago with the astonishingly peculiar “Little Things”, Hanne Hukkelberg has been on a quest to never repeat herself and still find a personal true sound. A task which is taken to spectacular results on her newly released “Featherbrain”. Read the rest of this entry »

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Intercontinental Space Pop: THIEVES LIKE US

 

We have always had a soft spot for Thieves Like Us. Where to begin? The name first of all, equally a tribute to New Order and to Robert Altman. The geographical alignment of being two Swedes, Pontus Berghe and Björn Berglund, and one American, Andy Grier, getting together and making music in Berlin. Their elegant and suave take on 80s pop, which made them an anomaly in their first shot at success via the inclusion of Drugs In My Body on a Kitsune compilation, yet the gut feeling they liked to party and dance like the other Parisian reprobates.  Read the rest of this entry »

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